***The following interview contains spoilers for 3X03***

Things are looking good in Dead City! As the hit AMC series moves swiftly through its third season, big changes are underway and the fan reaction is decidedly positive. The Croat (Zeljko Ivanek)/Dama (Lisa Emery) storyline has come to close, giving the writers space to focus on the show’s beating heart: the complicated relationships between Maggie (Lauren Cohan), Hershel (Logan Kim), Negan (Jeffrey Dean Morgan), and their new friends and adversaries in New York.

In last night’s episode (303, “Emigrants”), Hershel’s loyalty is no longer in question. For the first time, he seems happy to spend time with his mom and is taking on new responsibilities in the community. When things go sideways (as they always do), Hershel steps up and does what it takes to save lives.

For actor Logan Kim, Hershel’s improved attitude isn’t about the demise of the Dama. Yes, she was a poisonous influence, but the conflict was always about Hershel and Maggie.

“In season one and two, you really get to see Hershel in a more vulnerable state,” Kim explained. “He's really just trying to find his connection with his mother. And when he doesn't find that, he moves to the Dama.”

In season three, Hershel has new responsibilities and a strong bond with Luis (Raúl Castillo). But most important, says Kim, is Maggie’s effort to reach her son.

Set in 1930s New York City, Spider-Noir stars Nicolas Cage as Ben Reilly, a hardened private investigator who once protected the city as the masked superhero known as the Spider. Having since left that life behind, Ben has become a burnt-out detective trying to make his way through a city filled with corruption and organized crime. However, a new investigation soon draws him into a much larger and stranger conspiracy, forcing him to revisit the choices and events of his past and decide whether he can truly leave the Spider behind.

SciFi Vision recently spoke with Emmy-Nominee Hnedel Maximore about the visual effects of the series, including how he came onto the project, why the mix of hard-boiled noir and Spider-Verse elements interested him, and what the Emmy nomination meant after the challenge of delivering both color and black-and-white versions. He also discusses the technical and creative process behind the nightmare sequence, the lab mutations, the super power effects, why he personally prefers watching the black-and-white version, and more.

When contenders for the Primetime Emmy Awards were announced in early July, Apple TV scored a huge haul with 89 nominations! Fifteen of the streamer’s series were honored, including the sci-fi epic Foundation.

Based on Isaac Asimov’s landmark fiction series, Foundation was nominated for Outstanding Special Visual Effects in a Season or Movie. Among Apple TV’s many excellent sci-fi and genre offerings, Foundation stands out for its expansive world-building, gorgeous visuals, and top-notch special effects.

In honor of Foundation’s nomination, SciFi Vision spoke with Chris MacLean, Foundation’s  Overall Visual Effects Supervisor for seasons one through three. MacLean talked about some of the highlights and challenges involved in creating season three, and how it compares to the show’s early days.

“We definitely keyed on some different themes and different tones this year compared to the last year,” MacLean told the site. “The first season was very hard sci-fi; the second season was a lot more action, and then this season was a little bit more introspective. Even though we had a lot of action set pieces, it was a little more character driven in terms of everything that was happening.”

Fightland follows Maduka ‘Duke’ Kilroy (Howard Charles), a disgraced formerly incarcerated boxing champion who returns to London to seek revenge against the family he thinks betrayed him, driven by non-stop action and questionable characters in a world centered on money and power.

Richard Pepple plays Duke Kilroy’s father, Gary ‘Gazzer’ Kilroy, in Starz’s new series, Fightland. Pepple’s became a part of the project through the audition process and getting a script and reading it and thinking that it was really good just from the sides. He read and recorded with a good friend of his and had so much fun recording the two scenes. He received the first episode and his reaction was, “Wow, this is even bigger than what I had thought it was. Based off what I read, this is quite epic.” Pepple said there was excitement and buzz from a very early stage. As an actor, Pepple hears many nos in the audition process but had constantly asked his agent if he had heard anything about this role, because he wanted to be involved, and then he got the call that he got the role. Pepple had worked with the Fightland writers about fifteen years ago on their first job and it felt like it had come full circle. The show has been a treat and a special job that will stay with him for a long time.

Fightland is a new series by the same Executive Producers, Curtis “50 Cent” Jackson through his G-Unit Film & Television, as the Power Universe that has had four series and two more on the way. It’s possible that Fightland could also have its own universe and Pepple’s wishes for that. He went on to say that Fightland tells such a rich story about something that people don’t know much about with sort of an undercurrent in the boxing world. Pepple also shared that there was a lot of dedication and commitment to the project very early on to really bring this world to a wider audience and tell this story about these characters, which was very exciting.

Written by Emily Andras and directed by Melanie Scrofano, in Summer’s Last Resort, a high-strung teen (Violet McGraw)’s summer is turned upside down when the vice-principal (Jerry O’Connell) becomes her mom (Sophia Bush)’s new boyfriend and invites them on a Caribbean vacation as part of an awards ceremony. Determined to end the romance, Summer hatches a plan to breakup their relationship, but it leads to crazy mishaps and unexpected feelings.

Recently, stars O’Connell, Bush, and McGraw spoke with SciFi Vision about why they wanted to be a part of the film, which of the comedic scenes stood out to them, playing at the water park, working with director Scrofano, and more.

Summer’s Last Resort is now streaming on Tubi.

The horror film Lockbox premieres today, only in theaters. It's directed by Daniel Stamm, who has helmed five other horror movies and directed quite a few horror TV shows. Carla Gugino, who's no stranger to horror movies and shows herself, portrays Ellen, a kind woman dealing with the loss of her mother. She moves back to the small town where she was raised and takes in her cousin, Winthrop, who's had a very rough life, both at home and in the military. A creepy neighbor woman drops by and inserts herself into their lives. The movie gets stranger and more shocking as it goes along.

Lockbox is based on a 2019 episode of a horror podcast Knifepoint Horror by writer Soren Narnia. The screenplay was written by Justin Yoffe, who's worn many hats over his career as playwright, director, artistic Director, Emmy Award-winning producer and screenwriter. The movie also stars Lou Taylor Pucci as Winthrop and Katharine Isabella as the odd neighbor. The movie's tagline is "Evil Wants Out." If you love horror movies, you don't want to miss it!

SciFi Vision recently spoke with Gugino about her starring role in the superb horror film.

***The following interview contains major spoilers for the season 4 finale***

On the season finale of FROM, which premiered this past weekend on MGM+, when the group uprooted the bottle tree after Tabitha (Catalina Sandino Moreno) and Jade (David Alpay) found the children’s bones, it unleashed a sequence of events, starting with darkness falling and the nightmare creatures coming out on the attack. Although Fatima (Pegah Ghafoori) was eventually able to somewhat control Smiley (Jamie McGuire), it was too late as he slashed and killed Marielle (Kaelen Ohm) before she could stop him. As the chaos continued, the stakes were raised as Sophia (Julia Doyle) moved forward with her plans to destroy the balance of the town. A threat to her plans, Elgin (Nathan D. Simmons), having discovered that she was not who she appeared to be, was offered a deal to go home in exchange for helping her, but he instead resisted, not willing to betray his friends or bend his morals this time. In return, she killed him on the spot.

In an interview with SciFi Vision last week, both Simmons and Ohm spoke about the intense death scenes for Elgin and Marielle, playing dead on camera, set keepsakes, how working on the series has impacted their lives, whether they like to watch their performances back, why they leave the theory crafting to the fans, and more.

Taking place in the 1930s New York, the series Spider-Noir tells the story of Ben Reilly (Nicholas Cage), an aging private investigator, who is hired to investigate nightclub singer Cat Hardy (Li Jun Li). When the investigation leads him into a world of mob corruption and super-powered villains, he must come to terms with his past and embrace his own powers once again as the city’s only hero.

In the series, Lukas Haas plays the role of Winston, mob boss Silvermane (Brendan Gleeson)’s loyal chief enforcer. Recently the actor spoke with SciFi Vision about how he became involved with the series, the choices he used to build his character, the way classic noir movies, gangster performances, accent work, costume, and physicality all fed into his approach, working with Cage and Gleeson, and much more.

Spider-Noir is now streaming on Prime Video. Watch the interview below.

***The following interview contains spoilers for the season 4 finale***

On the season finale of FROM on Sunday, everything changed for Fatima (Pegah Ghafoori), literally. After giving birth to the nightmare creature, Smiley (Jamie McGuire), she has shared a connection for awhile, being able to see through his eyes. When he entered the clinic during the eclipse, she was once again able to somewhat control his actions through their connection, but it was too late as he had already slashed Marielle (Kaelen Ohm), who died later in Kristi (Chloe Van Landschoot)’s arms. However, later, Fatima used that connection when accompanying her husband, Ellis (Corteon Moore), and father-in-law, Boyd (Harold Perrineau), into the caves to try to rescue Jade (David Alpay) and Tabitha (Catalina Sandino Moreno), able to alert them when the creatures were close. When the monsters were closing in, she realized she was able to hold them off by transforming completely into a creature herself. Whether she still retains her humanity is yet to be seen.

Recently, in an interview with SciFi Vision, the actress teased that she felt Fatima would “always be human at heart,” but couldn’t say how that would affect her going forward, but she did speak to striking that balance when playing the transformed version of her character. “[T]he thing that sets our show apart is that our monsters are eerily human,”she told SciFi Vision. “So, I would say that more than anything, I had to worry about coming across as too much of a monster, because then it takes away the scariness of them.”

As of the end of season four, the actress didn’t work with practical effects when it came to the transformation itself, only CGI. “It was just CGI dots on my face,” she explained. “Our post production team, the amazing team we have, they took care of all of that.” Ghafoori, however, did say she got to work with practical makeup effects for the veining on her stomach.

***The following contains spoilers for 4x10, the season finale***

Jade and Tabitha put the bones of the children in their bags, the creatures watching them through the plastic, as up above they wait for a signal.

Boyd tells the others to get the rope ladder ready, that the chamber becomes vulnerable as soon as the tree starts to give. Kristi asks what plan B is if they can’t pull the tree out, but he tells her there is no plan B.

Tabitha says they should signal them to pull the tree, but Jade says no. She needs to be ready to go the moment the rope ladder drops with the bones. She questions this and says the bones have to go up last, because they are the only thing protecting the chamber. He admits that he lied and there is nothing protecting the chamber once the tree is out; the bones won’t stop them. If Boyd realized it wasn’t safe, he would have scrubbed the whole thing, and he couldn’t let that happen; she needs to break the cycle. He promises her to slow them down long enough for her to get up; her children deserve to go home. Upset, she tells him not to do it, and he just says that if he had to spend all those lifetimes with anyone, he’s glad it was her.

Up above they hear the signal on the radio and Boyd says to start the truck. The tree is shown pulled up from both perspectives. When they start to pull it, the nightmare creatures come through the plastic, it no longer protecting them. Tabitha picks up the bag of bones, but they don’t go for the talisman. Cowboy says it’s nice all of them being together again. As the tree comes out, sunlight comes down into the chamber, and the monsters, though still human, back up, and Jade and Tabitha realize they can’t come into the middle of the chamber into the light.